![]() ![]() And trying to figure out how I can built a preset to 1 minute Instagram's videos. Some videos in Instagram (if you compare with the original .mp4 export) loses saturation and get blurry. I have been talking to some editors and they have similiar problems. My time line is like this: Work Color Space Rec.709. I am using like this: Modify > Interpret Footage > Color Managment > Use color space from file Rec. That is the thing, some videos looks like the export video, others don't look like the export videos in Instagram.ĭoes anybody have this issues? I have been doing a resource in the web, but haven't find much about it. Then I upload and I have noticed some videos are less saturated and blurry then my. mp4 in VLC and it is the same color of the Pro Res 422 Master. I noticed that some videos are blurry when I uploaded in Instagram. Media Encoder setup for Instagram's videos: Export my Master from Adobe Premiere in Apple Pro Res 422 (Match Sequence Settings) in 1920x1080 Trancode this Sony's files to Apple Pro Res 422 and edit it in a 1080p timeline Record my footage in Sony a7sIII (some files in XAVCS 4K, a couple in XACS-I 4K) ![]() What is your hard disk setup? That could be a bottleneck that limits export speeds as well, if reading from and writing to SAME drive, if it's not fast enough.I have been exporting some videos for Instagram. So in that case, it may take just as long to export to Lagarith as other formats, so you may not save any time anyway. Those will of course need to render whether exporting to Blu-ray, DVD, or "just an. Part of your render time issue could also be due to effects you have applied in the video. A more compact format with good quality is the Matrox MPEG-2 I-Frame 4:2:2 codec, at 100mbps, so about 4x larger than AVCHD files, available here. Your 90 minute program could easily be well over 100GB. Has uncompressed quality, without the uncompressed file size, though the files will still be quite large compared to AVCHD. avi codec that can be downloaded (your friend will need it as well to use the files). So keeping those rules in mind could save substantial time right there.īut if you do want to export and have your friend encode for you, you don't want "Uncompressed HD" files, those would be absolutely gigantic files and would really strain ANY system when trying to play them (requires special hard drive RAID arrays). As for Max Quality, that is said to only help when SCALING is involved, so that would not help when going from HD source to Blu-ray, would only be used when exporting to DVD since you are downscaling the source video. Max Depth is typically not needed or used. Qualifying for Canada starts in 15 minutes and my Avid export finishes in five!įirstly, you are greatly increasing the render times by checking both Max Depth and Max Quality. From his other posts he looks like a fan of F1, where this season looks like it might get a bit repetitive if Lewis Hamilton keeps winning. PS My PS to Joe might have been lost on you. Encouragingly, it automatically applied all the source footage settings, too. I have the Avid codecs and am outputting the. They sent a hard drive through the mail and I really want to ensure that whatever files I put on it (yes, I had to reformat it to ExFAT using a Mac) will be OK for them. They asked for a ProRes QT file but that's not so simple, as you probably know. The museum's production company has a Mac workflow. I shot it with AVCHD and edited using Premiere Pro on a Windows PC. Yes, I made a short film about the 2012 Olympic flame and now a museum wants to use some of my footage. Thanks very much indeed for your helpful response. Sorry for the confusion.īut never mind all that. He's cropped up elsewhere, chatting about UT, so I clicked his post (#1) and my reply ended up at the bottom of the thread, next to yours. I don't know if you did mention UT but 'Joe Premiere Pro' did.
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